In the 1880s French artist Georges Seurat introduced an art form known as pointillism. As the name suggests, Seurat used small dots of color, rather than brush strokes of blended pigments, to create an artistic image. Up close, his work looks like groupings of individual dots. Yet as the observer steps back, the human eye blends the dots into brightly colored portraits or landscapes.

The big picture of the Bible is similar. Up close, its complexity can leave us with the impression of dots on a canvas. As we read it, we might feel like Cleopas and his friend on the…